These 24 glass slides set out Walter Scott Griffiths' alternative vision for Canberra.
We're celebrating 20 years of The Matrix with a special screening and Q&A.
The beloved film opened in Australian cinemas 25 years ago. To celebrate, we're Undressing Priscilla all over again.
With the passing of Doc Neeson we have lost an icon of Australian rock, writes sound curator Thorsten Kaeding.
David Bridie, one of the most distinctive voices and songwriters in Australian music, will launch the NFSA’s 100 Seats program – a unique, intimate session with renowned performers exploring their ideas and their art, limited to 100 tickets.
The summer of 1963-64 was the summer of surf music in Australia.
Andrew Plain - sound designer, sound editor and supervising sound editor - died on 13 December. Jennifer Balcomb and the NFSA's Imelda Cooney pay tribute.
Sound archivist Tess Elieff shares some of her favourite Bandcamp discoveries and explains why this platform is a digital archivist's best friend.
Sound designer James Hurley and the NFSA's Brendan Smith have created another immersive Art of Sound exhibition.
Wouter ‘Wally’ De Backer, better known as Gotye, sat down with us to record a comprehensive Oral history interview.
Audio officer Gerry O'Neill reveals the mysteries of disc cleaning and digitisation, to make those old records sound like new.
Brendan Smith, the NFSA’s Regional Programs Manager, previews the upcoming third edition of The Art of Sound exhibition in Queensland.
Patricia Downes tackles a question dreaded by many musicians: what do you call your band, and what will that name say about you?
Other ways to Support Us