A history of ethnographic filmmaking and the representation of Indigenous Australians on film.
Celebrating the women of cricket from the 1930s to today.
Janine Winfree, a visitor from George Eastman House in the US, explores the NFSA's 28mm film collection.
The NFSA provided nearly three-quarters of the footage used in the groundbreaking four-part series Australia in Colour.
We had to build a custom-made device and photograph 465 frames in order to bring back to life a 1901 Kinora cricket film!
Sally Jackson traces the journey of Italian films to Australia via World Film Distributors and through the hands of collectors to the NFSA.
Do you want to learn how to extend the lifespan of your photo, music, film and video collections? You've come to the right place.
NFSA Senior Researcher Mick Newnham shares his expertise with South-East Asian archivists at SEAPAVAA in Vientiane, Laos.
Thom Neal is the winner of the 2014 NFSA-ACS John Leake OAM ACS Award in Brisbane. We spoke with him a few days before he was named emerging cinematographer of the year.
'I like to think a cinematographer is a visual psychiatrist,' says 2013 NFSA-ACS John Leake OAM ACS Award winner Dale Alexander Bremner.
'I know I'm doing exactly what I want to be doing.' Jimmy Ennett, 2012 winner of the NFSA-ACS John Leake OAM ACS Award talks about his experiences as an emerging Canberra-based filmmaker.
Kristy Stark, 2010 recipient of the NFSA-ACS John Leake OAM ACS Award talks about her transition from cinematographer to producer, producing for online and 'Wastelander Panda'.
Thai Film Archivist Kedsuda Jina recently visited the NFSA to learn about our preservation work. She told Clair Hurford that her country's heritage is in danger because of a lack of interest from the public.
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