For a decade in the 1930s and 40s, Mavis Ripper was Australia's leading film costume designer.
Explore the world of film costumes with designer Marion Boyce.
See the newly digitised and last-known images of the extinct thylacine, from 1935.
The NFSA provided nearly three-quarters of the footage used in the groundbreaking four-part series Australia in Colour.
We had to build a custom-made device and photograph 465 frames in order to bring back to life a 1901 Kinora cricket film!
Sally Jackson traces the journey of Italian films to Australia via World Film Distributors and through the hands of collectors to the NFSA.
Do you want to learn how to extend the lifespan of your photo, music, film and video collections? You've come to the right place.
NFSA Senior Researcher Mick Newnham shares his expertise with South-East Asian archivists at SEAPAVAA in Vientiane, Laos.
Thai Film Archivist Kedsuda Jina recently visited the NFSA to learn about our preservation work. She told Clair Hurford that her country's heritage is in danger because of a lack of interest from the public.
Senior researcher Mick Newnham reports on his recent visit to the Solomon Islands for the Pacific Regional Branch of the International Council on Archives.
Rick Prelinger and Paula Le Dieu discuss the exciting challenges and opportunities cultural institutions face in the digital age.
Mick Newnham, head of the NFSA's Conservation, Research and Preparation team, investigates audiovisual preservation in Myanmar.
Film curator Kathrin di Rocco is taking part in an exchange program with George Eastman House in Rochester, New York.
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