A history of ethnographic filmmaking and the representation of Indigenous Australians on film.
Celebrating the women of cricket from the 1930s to today.
Janine Winfree, a visitor from George Eastman House in the US, explores the NFSA's 28mm film collection.
Can you ever truly say a film has 'been preserved'?
NFSA Historian Graham Shirley recalls the restoration of 'For the Term of His Natural Life' (1927).
Two of Australian's finest make-up artists, Chiara Tripodi and Toni Ffrench, have won one Emmy Awards.
Graham Shirley reflects on Gillian’s films and career ahead of this weekend’s repeat screenings of two of her films.
Director Gillian Armstrong writes about the screening of a new preservation print of her 1992 film 'The Last Days of Chez Nous' at the NFSA.
As part of an international exchange, Darren Weinert from the NFSA visits the International Centre of Photography in New York.
Testing photographic material of all types, for all types of stability issues.
Juan Vrijs from Haghefilm gives a lesson in film repair and splicing.
Darren Weinert inspected a large Technicolor collection at George Eastman House's Gleason Storage Facility.
Visiting the Motion Picture Department at George Eastman House.
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