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May 2020

Mad Max 2 and 3: Costumes

Costume designer Norma Moriceau drew on her background in the London punk scene when creating iconic costumes for Mad Max 2 and Mad Max Beyond Thunderdome.

By Tara Marynowsky / 26 May 2020
Film
Photographs

Mad Max Movies: Stunts

The insane, death-defying sequences, performed by talented stunt performers, are a huge part of the appeal of the Mad Max films.

By Tara Marynowsky / 22 May 2020
Film

Mad Max Music

Johnny Milner takes a closer listen to the soundscape of Mad Max and Mad Max 2, highlighting the film scores of composer Brian May.

By Johnny Milner / 15 May 2020
Film

Deep Dive: Richard Lowenstein in conversation

Richard Lowenstein and film editor Tayler Martin discuss the making of Mystify: Michael Hutchence, the music of INXS, and the life of Michael Hutchence.

By Travis Green / 14 May 2020
Sound

Mad Max: George Miller

Director George Miller talks about making the first Mad Max film, released in US cinemas 40 years ago this month.

By Johnny Milner / 8 May 2020
Film
Posters
Dec 2019

Surfing and Surf Movies

From lifesaving to 'soul surfing’: Paul Byrnes tracks the history of surfing and surf movies in Australia.

By Paul Byrnes / 20 Dec 2019
Film
Sound
Oct 2019

Horror in Australian Cinema

A brief survey of Australian horror films from the outback thrillers of the 1970s to the work of the influential creators of Saw and The Babadook.

By Richard Kuipers / 17 Oct 2019
Film
Sep 2019

Alternative Canberra Designs

The NFSA has acquired 24 glass slides by Walter Scott Griffiths illustrating his alternative vision for Australia’s future capital city.

By Tamara Osicka / 16 Sep 2019
Object
Aug 2019

Charles Farrell Flies In

When Charles Farrell came to Australia in 1936 to appear in The Flying Doctor, he brought with him a touch of Hollywood glamour and the aura of a big-name star.

By Jeff Wray / 28 Aug 2019
Film
May 2019

Cinema Glass Slides – Political Ads

The NFSA collection contains over 100 political glass slide advertisements from 1917 to 1976.

By Michelle Davenport / 31 May 2019
Object