Film & Sound News

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May 2012

Glass cinema slides

NFSA conservator Shingo Ishikawa and digitisation specialist Darren Weinert talk about the NFSA's glass slide preservation project.

By Shingo Ishikawa / 11 May 2012
Film
Object

Preserving glass cinema slides

NFSA conservator Shingo Ishikawa and digitisation specialist Darren Weinert talk about cinema slides and their history, manufacture and preservation.

By Shingo Ishikawa / 11 May 2012
Film
Object
Apr 2012

Asia Pacific connections

The NFSA is building a stronger relationship with its South East Asian counterparts through a new preservation award. Mick Newnham reports from the SEAPAVAA Conference in Ho Chi Min City.

By Mick Newnham / 26 Apr 2012
Film
Mar 2012

Film collection hazards

Mould, vinegar odours and baby spiders; just another work day for film curators.

By Sally Jackson / 1 Mar 2012
Film
Jan 2012

Tasmania's Got Talent

The NFSA's 'Cooee Cabaret' family cabaret show is hitching up its wagon and making its way down to Tasmania.

By Beth Taylor / 31 Jan 2012
Sound

Preserve or re-create?

NFSA conservator Shingo Ishikawa explores some of the ethical dilemmas that his profession is grappling with to remain relevant. Finding ways to preserve the non-physical elements surrounding physical objects is one example of a key challenge facing conservators.

By Shingo Ishikawa / 30 Jan 2012
Object
Oct 2011

Our Audiovisual Heritage

National Film and Sound Archive CEO Michael Loebenstein delivered a speech to mark the UNESCO World Day for Audiovisual Heritage on 27 October.

By Kylie Doherty / 27 Oct 2011
Film
Radio
Sound
Television
Sep 2011

What's that bug?

Can you identify the bug that was glued between glass slides over 100 years ago?

By Darren Weinert / 8 Sep 2011
Object
Aug 2011

Preservation planning

The final days of Mick Newnham's preservation conference feature a wet gate and a storm: a fitting juxtaposition of the subtlety and power of liquid.

By Mick Newnham / 12 Aug 2011

Learning the basics of video

Mick Newnham visits Lithuania to share his extensive knowledge of audiovisual preservation.

By Mick Newnham / 12 Aug 2011