These 24 glass slides set out Walter Scott Griffiths' alternative vision for Canberra.
We're celebrating 20 years of The Matrix with a special screening and Q&A.
The beloved film opened in Australian cinemas 25 years ago. To celebrate, we're Undressing Priscilla all over again.
How the NFSA takes care of pests and mould, and what you can do at home to protect your own collections.
Meet Jenny Gall, Assistant Curator - Documents and Artefacts, who has a passion for the performing arts, an obsession with textiles and a love of musical instruments.
Meet NFSA staffer Gerry O'Neill: preserving Australia's sound heritage when he's not thrashing his guitar with punk outfit The Bladder Spasms.
Emily George speaks with Documents and Artefacts Curator Belinda Hunt about how a visit to the NFSA in primary school would ultimately define her career - and her life.
Operations Supervisor Michael Karris chats to Emily George about how he taught himself to direct, produce and write films, his love of the medium and the work he does with the NFSA collection.
Bronwyn Murphy talks to Emily George about working as a sound editor on Rabbit-Proof Fence (2002), The Sapphires(2012) and Mabo: Life of an Island Man(1997).
Sally Jackson traces the journey of Italian films to Australia via World Film Distributors and through the hands of collectors to the NFSA.
Radio Archivist Maryanne Doyle speaks with Emily George about her days in improvisational theatre, her time at Gorman House and what she loves about working with the NFSA radio collection.
In the first edition of our new staff profile series, Emily George speaks with Sound Archivist Tamara Osicka about how she got started on her career, and how she feels handling important cultural items.
NFSA experts understand the importance of sharing their knowledge and experience with their peers. Conservation Manager Mick Newnham recently spent five days training remote Indigenous archivists.
Other ways to Support Us