In conversation with the star and director of Ella, a film about the first Indigenous dancer with the Australian Ballet.
A look at the work of contemporary artist and filmmaker Tracey Moffatt.
The process of returning Indigenous cultural materials to communities.
Ann Robb looks at the process of returning Indigenous cultural materials, including those that were once housed in the former Institute of Anatomy building before it became NFSA headquarters in Canberra.
Costume designer Norma Moriceau drew on her background in the London punk scene when creating iconic costumes for Mad Max 2 and Mad Max Beyond Thunderdome.
To coincide with National Reconciliation Week 2020, we look back at the Walk for Reconciliation across the Sydney Harbour Bridge, which took place 20 years ago on 28 May 2000.
The insane, death-defying sequences, performed by talented stunt performers, are a huge part of the appeal of the Mad Max films.
Powderfinger's Bernard Fanning and producer Nick DiDia talk with the NFSA's Sam Dignand about the making of the band’s iconic album, Internationalist.
Johnny Milner takes a closer listen to the soundscape of Mad Max and Mad Max 2, highlighting the film scores of composer Brian May.
Richard Lowenstein and film editor Tayler Martin discuss the making of Mystify: Michael Hutchence, the music of INXS, and the life of Michael Hutchence.
Director George Miller talks about making the first Mad Max film, released in US cinemas 40 years ago this month.
The first Academy Award ever won by an Australian is in the NFSA collection.
From lifesaving to 'soul surfing’: Paul Byrnes tracks the history of surfing and surf movies in Australia.
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