Film & Sound News

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List of articles

Dec 2019

Muriel's Wedding: 25 Years

We head back down the aisle for a silver anniversary celebration of Muriel's Wedding.

By Mel Bondfield / 9 Dec 2019
Film
Sep 2019

Alternative Canberra Designs

The NFSA has acquired 24 glass slides by Walter Scott Griffiths illustrating his alternative vision for Australia’s future capital city.

By Tamara Osicka / 16 Sep 2019
Object
Jun 2019

NFSA Restores: Eternity

NFSA Restores: Eternity premieres at the Sydney Film Festival. The acclaimed 1994 documentary has been digitally restored 25 years after its release.

By Chris Arneil / 7 Jun 2019
Film
May 2019

Cinema Glass Slides – Political Ads

The NFSA collection contains over 100 political glass slide advertisements from 1917 to 1976.

By Michelle Davenport / 31 May 2019
Object

Indigenous Filmmaking: A Short History

Within a generation, Aboriginal and Torres Strait Islander filmmakers have become a vibrant presence in the centre of filmmaking in Australia.

By Liz McNiven / 27 May 2019
Film
Television
Mar 2019

Wake in Fright: 2009 Restoration

For years the negative of Wake in Fright (1971) was thought to be lost forever. Here is the story behind the restoration and re-release of the classic Australian film.

Film

Australia in Colour

The NFSA provided nearly three-quarters of the footage used in the groundbreaking four-part series Australia in Colour.

Film
Television
Jan 2019

Donald Bradman: film actor

Sir Donald Bradman is recognised internationally as one of the greatest cricketers of all time, but did you know he also briefly acted in a movie?

By Jeff Wray / 21 Jan 2019
Film
Photographs
Oct 2018

World Day for Audiovisual Heritage

World Day for Audiovisual Heritage 2018 takes place on 27 October. The NFSA's Gayle Lake and Richard Vorobieff discuss the significance of preserving our heritage.

By Rachael Priddel / 26 Oct 2018
Aug 2018

The McDonagh Sisters

A portrait of the pioneering filmmakers, The McDonagh Sisters - Isabel, Paulette and Phyllis. NFSA Restores: The Cheaters screened at the Melbourne International Film Festival 2018.

By Graham Shirley / 9 Aug 2018
Film
Photographs