We take a look at the work of stunt performers Grant Page and Guy Norris.
Powderfinger's Bernard Fanning and producer Nick DiDia in conversation.
Take a deeper listen to the music and soundscape of Mad Max and Mad Max 2.
The NFSA has chosen Susanne Chauvel Carlsson as the recipient of the 2012 Ken G Hall Film Preservation Award.
Bronwyn Barnett looks at the challenges faced by regional television from the late 1960s to the present.
The recent Puberty Blues (2012) TV series reminds NFSA Television curator Frances Baldwin of watching the 1981 film version and receiving material from the film as an archivist in 1986.
Dr. Jeannette Delamoir's PhD in media studies explored the construction of Louise Lovely's star persona, so she didn't hesitate when Arc Cinema asked her to introduce two of Lovely's films during the Spring Silents season.
It is 50 years since people living in regional areas on the east coast of Australia received television for the first time.
Simon Smith reports on a feature-length selection of silent films curated by the NFSA for the 2012 Sydney Film Festival.
Nick Herd drew on the NFSA collection to research his new book, Networking, which places the history of Australian commercial television in its proper context.
NFSA conservator Shingo Ishikawa and digitisation specialist Darren Weinert talk about digital preservation and packaging of cinema slides.
NFSA conservator Shingo Ishikawa and digitisation specialist Darren Weinert talk about the NFSA's glass slide preservation project.
NFSA conservator Shingo Ishikawa and digitisation specialist Darren Weinert talk about cinema slides and their history, manufacture and preservation.
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