Film & Sound News

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Sep 2019

Alternative Canberra Designs

The NFSA has acquired 24 glass slides by Walter Scott Griffiths illustrating his alternative vision for Australia’s future capital city.

By Tamara Osicka / 16 Sep 2019
Object

The Matrix is 20

The NFSA is celebrating the 20th anniversary of The Matrix with a special screening and Q&A with Executive Producer Andrew Mason.

By Tara Marynowsky / 10 Sep 2019
Film
Television

Priscilla turns 25

Australia's most fabulous road trip movie opened in Australian cinemas 25 years ago – on 8 September 1994. To celebrate, we're Undressing Priscilla all over again.

By Mel Bondfield / 6 Sep 2019
Film
Aug 2019

Fredd Bear Costume

Fredd Bear, the much-loved children’s television character from the late 1960s and early 70s, has arrived at the NFSA.

By Bronwyn Barnett / 20 Aug 2019
Television

John Farnham's Early Years

Before he was 'Whispering Jack', John Farnham was a teen idol named Johnny who was crowned 'King of Pop' five times.

By Mel Bondfield / 16 Aug 2019
Sound
Television
Jul 2019

NAIDOC Week: M Yunupingu

WARNING: Aboriginal and Torres Strait Islander people are advised that the following article contains the names, images and voices of deceased persons.

By Adam Blackshaw / 8 Jul 2019
Television

Original Moon Landing Broadcast

A rare copy of the restored original TV broadcast of the July 1969 Apollo 11 Moon landing, previously given by NASA to the CSIRO, will now be preserved at the NFSA.

By Stephen Groenewegen / 3 Jul 2019
Film
Jun 2019

20 Years: NFSA Annexe Opening

On 21 June 1999, Prime Minister John Howard opened a major extension to the NFSA building.

By Adam Blackshaw / 17 Jun 2019
Television

NFSA Restores: Eternity

NFSA Restores: Eternity premieres at the Sydney Film Festival. The acclaimed 1994 documentary has been digitally restored 25 years after its release.

By Chris Arneil / 7 Jun 2019
Film
May 2019

Cinema Glass Slides – Political Ads

The NFSA collection contains over 100 political glass slide advertisements from 1917 to 1976.

By Michelle Davenport / 31 May 2019
Object