A history of ethnographic filmmaking and the representation of Indigenous Australians on film.
Celebrating the women of cricket from the 1930s to today.
Janine Winfree, a visitor from George Eastman House in the US, explores the NFSA's 28mm film collection.
New film and sound recordings have been added to the Anzac Sight Sound website to coincide with the centenary of the signing of the Treaty of Versailles on 28 June, contributing to the final phase of First World War commemorations.
Within a generation, Aboriginal and Torres Strait Islander filmmakers have become a vibrant presence in the centre of filmmaking in Australia.
The NFSA provided nearly three-quarters of the footage used in the groundbreaking four-part series Australia in Colour.
To mark Remembrance Day 2018, and the centenary of the end of the First World War, the NFSA is screening Peter Jackson's new film, 'They Shall Not Grow Old'.
Audiences are about to discover the man behind the camera in the NFSA’s new exhibition Heath Ledger: A Life in Pictures.
When it comes to dance and choreography, John 'Cha Cha' O'Connell needs no introduction.
Roger Cowland recalls his work in film optical effects on films like Babe and Mad Max.
Twenty-five years after the release of Strictly Ballroom, the NFSA's Miguel Gonzalez caught up with one of the stars of the film, Tara Morice.
Twenty-five years on, Paul Mercurio talks to the NFSA's Miguel Gonzalez about his life and career after the success of Strictly Ballroom.
In an exclusive interview, Paul Mercurio and Tara Morice share memories of the movie that launched their big-screen careers.
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