The NFSA is participating in a Home Movie Marathon on the World Day for Audiovisual Heritage.
Listen to excerpts from Richard Kingsmill's 1988 community radio documentary about the Australian music industry.
These 24 glass slides set out Walter Scott Griffiths' alternative vision for Canberra.
Nick Herd drew on the NFSA collection to research his new book, Networking, which places the history of Australian commercial television in its proper context.
TV acquisitions curator Helen Tully looks at the current and past state of Australian-produced television drama.
Brendan Fletcher's feature won the 2011 NFSA IF Award for Independent Spirit. Miguel Gonzalez spoke with this 'mad' director/producer.
Much-loved Australian film critic John Hinde would have turned 100 today. NFSA Library manager Jan Thurling celebrates the radio and TV personality on his anniversary.
In early 1940, with Australia less than a year into World War 2, a 17-year-old George Shirley used his father’s 16 mm movie camera to film two grand visitors to Sydney Harbour.
In offering my congratulations to the Sydney: City of Film management committee for their successful bid, I would also like to reflect for a moment on why Sydney so richly deserves this honour.
The discovery of two films made in Australia by frères Lumière representative Marius Sestier in 1896 includes Australia’s earliest surviving film.
Graham Shirley reflects on Gillian’s films and career ahead of this weekend’s repeat screenings of two of her films.
Director Gillian Armstrong writes about the screening of a new preservation print of her 1992 film 'The Last Days of Chez Nous' at the NFSA.
NFSA Connects with actor Aden Young and film director Ian Darling.
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