Ian Darling discusses his documentary about Adam Goodes and racism in sport.
A look at the iconic work of costume designer Norma Moriceau.
The Walk for Reconciliation took place 20 years ago on 28 May 2000.
The National Registry of Audiovisual Collections is a unique NFSA initiative – a listing of over 80 audiovisual collections from across Australia.
The NFSA sponsors a new user guide on flexible dealing and cultural institutions.
Patricia Lovell AM will be awarded the NFSA's highest accolade - the Ken G Hall Preservation Award - on Monday night.
Can you ever truly say a film has 'been preserved'?
Two of Australian's finest make-up artists, Chiara Tripodi and Toni Ffrench, have won one Emmy Awards.
Graham Shirley reflects on Gillian’s films and career ahead of this weekend’s repeat screenings of two of her films.
Director Gillian Armstrong writes about the screening of a new preservation print of her 1992 film 'The Last Days of Chez Nous' at the NFSA.
Juan Vrijs from Haghefilm gives a lesson in film repair and splicing.
Darren Weinert inspected a large Technicolor collection at George Eastman House's Gleason Storage Facility.
Visiting the Motion Picture Department at George Eastman House.
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