A portrait of the pioneering filmmakers from the 1920s and 30s: Isabel, Paulette and Phyllis McDonagh.
A die-cast model of a Cinesound Film Unit FJ Holden panel van, similar to that featured in the classic Australian film Newsfront.
Profiling Jane Campion, whose film The Piano was released in Australia 25 years ago.
What would be the 'soundtrack of Australian feminist activism' of the 1970s? Sound Curator Nick Henderson has the answer.
In 1979 two young Australians invented the first Fairlight sampling synthesizer and changed electronic music forever. We have one in working condition!
Roz Barker reveals the link between Aspro headache tablets and world-famous violinist Yehudi Menuhin and his sister Hephzibah.
Meet Jenny Gall, Assistant Curator - Documents and Artefacts, who has a passion for the performing arts, an obsession with textiles and a love of musical instruments.
Australian journalist Lillian Roxon was a pioneer when it came to giving rock music the serious attention it deserved.
Brenda Gifford from the Indigenous Connections team talks about the recent National Indigenous Music Awards and the NFSA Indigenous Oral Histories program.
Sophia Sambono, Curator Indigenous Collections, surveys the black and deadly women of Australian music, from Fanny Cochrane Smith in the 1890s to Jessica Mauboy in the 21st century.
Anna Haebich, a John Curtin Distinguished Professor at Curtin University in Perth, showcases West Australian Aboriginal performing arts and the plays, music, dance and festivals in the NFSA collection.
The summer of 1963-64 was the summer of surf music in Australia.
Audio officer Gerry O'Neill reveals the mysteries of disc cleaning and digitisation, to make those old records sound like new.
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