A lovely blog for a wonderful woman.
Thank you, Sarah Watt

Sarah Watt
NFSA: 773441-2-1
The Australian film industry is mourning the loss of artist, writer and filmmaker Sarah Watt, who died last week after a long battle with cancer. Sarah’s deeply personal films won critical acclaim both in Australia and internationally.
Throughout her career, Sarah was a strong supporter of the National Film and Sound Archive of Australia. She worked closely with the NFSA and was committed to preserving her body of work within our collection – including short films such as her early Victorian College of the Arts film Catch of the Day (1990); Small Treasures (1995), the winner of the Baby Lion for Best Short Film at the Venice Film Festival; Local Dive (1998); and Living with Happiness (2001), which won the AFI Award for Best Short Animation. She also preserved her two feature films My Year Without Sex (2009) and Look Both Ways (2005), winner of the AFI Award for Best Film, Direction and Original Screenplay. Sarah also donated a lovely collection of original animation artwork from Look Both Ways to the NFSA.

Animation cell 56, sequence 14, from ‘Look Both Ways’ (2005)
Sarah Watt (NFSA Acq. 21850)
From June 2000 to January 2001, the NFSA hosted an exhibition of original animation artworks by Lee Whitmore and Sarah Watt called Every Picture Tells A Story. The exhibition, which was extremely well received, featured painted animation cells and backgrounds from Small Treasures and Local Dive.
The NFSA’s Big Screen touring Australian film festival was fortunate to have Sarah as its guest for two screenings in 2009 – she attended Mount Gambier in South Australia, and Nambucca Heads in New South Wales to introduce My Year Without Sex.

Animation cell 61, sequence 14, from ‘Look Both Ways’ (2005)
Sarah Watt (NFSA Acq. 21850)
At both events she proved to be a very popular and generous guest. Regional audiences loved Sarah and her work. She was humble, down to earth and had a great sense of humour, qualities which live on in the films that are her legacy. NFSA staff would like to extend our sincerest sympathies to Sarah’s family and friends.
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I saw Look Both Ways after my Dad passed away and it was an emotional experience. I must see it again now. Just watched the clips on ASO. Yes one of my top films. I also like My Year Without Sex - wonderful emotionally honest and real films.
Thank you for this lovely dedication to Sarah Watt and her beautiful body of work. I enjoyed watching "Look Both Ways" when I first saw it a few years ago and I recently read "Worst Things Can Happen at Sea" by William McInnes and Sarah Watt and thoroughly enjoyed it. They both wrote with such openness and honesty about their lives and I was sad to hear of her passing.
Thanks for the blog Jo. The NFSA has just installed a new showcase to commemorate the life, work and creative art direction of Sarah Watt. The showcase contains 33 original animation cels from the 2005 film Look Both Ways, which features short, animated scenes that play out the disastrous thought processes of main character Meryl.
Each cel holds its own as an artwork, and reflects the creative partnership between visual artist Emma Kelly and concept director Sarah Watt. The cels are hand drawn and painted on paper, and use vibrant colours. Once each cel was made, it was digitally scanned and registered. They were then electronically compiled to form a single frame that would be edited into the film sequence. One complete frame can be the result of up to seven separately layered cels.
We had many cels to choose from, however we settled on five sequences, Meryl and Pram, Train hits Meryl, Meryl and Sharks, Earthquake House, and Meryl Swimming. The showcase will be up until February next year, and is located in the Gallery onsite at NFSA Canberra. Free admission.
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Thank you so much for this profile Jo. "Look both ways" is my favourite Australian film, so it's great to get the opportunity to see more of Sarah Watt's animation work from her short films.